208. contiguous

Arkham HorrorThis past weekend proved to be quite a blur of activity, confirming yet again that I am an introvert who requires significant time away from other human beings in order to survive. Or at least stay sane.

My friends Matt and Jason put on their annual four-day mini game convention at their home, and this was my first time attending. There were at least ten people staying at the house for the entire four days, and another five or so who came for just the day — like a regular convention.

Basically, there was a lot of game playing. Card games. Tabletop games. Competitive games. Cooperative games. Games with blocks. Games with mechanical pieces.

And there was food, beverage and snacks throughout.

I and one other attendee were there as “house elves.” Our job was essentially housekeeping — to keep the place in relative order for four days. There was the kitchen to keep clean, the bar, several game tables, a jug of water to refill, hand towels to wash, fold and redistribute. For all this, our room and board for the entire weekend was covered.

What I wasn’t counting on was the emotional toll the four days would take on me. Being around people is an exhausting enough of an enterprise on normal days. Being with people almost non-stop for four days — some of whom I didn’t know — was tantamount to blowing my entire monthly emotional budget in one go. By Sunday, I had nothing left.

This is the stupid reality of being an introvert, and a schizoid to boot. We’re not antisocial. The “Unabombers” and Howard Hughes of the world have that well covered, thank you very much. We’re often driven by loneliness to seek out other people, but it requires the focus of a deficit hawk to manage our emotional energy so that we can spend time with other people but not burn out completely while doing so.

I didn’t do such a good job of emotional resource management.

It might not have been so difficult if my life were going better at the present. As it is, I don’t know if my bastard landlord is going to pull some shenanigans to defraud me of my security deposit on my apartment come May. I’m working this week at a short-term temp assignment but don’t know where income will come from after March 21.

This afternoon I got a letter in the mail from the University of Southern California saying:

After careful review of your application and supporting material, the Admission Committee has asked me to inform you that your application to the Master of Music program in Composition for Fall 2014 has not been approved, and we are not able to offer you admission to this program.

Not that I was really expecting to get in after the last two rejections from the Eastman School of Music and the University of Michigan. However, to be thirty-one years old and basically starting over at this stage in life feels as if my game character has died and I’m starting over with a brand new character.

As Julia Sweeney might say, “That’s a special feeling.”

It might not have been such a rough weekend if three factors hadn’t whittled away what little there is of my inner confidence:

First, I was one of the very few single people there. The vast majority of attenders came with a spouse or partner. There were all the usual imagined slights — private jokes, knowing looks, pet names, etc. All the things that make single people feel… well, conspicuously single. On Saturday we watched a movie, and virtually everyone was sitting with a significant other. And I was sitting in a bean bag chair with myself and a gin-and-tonic.

Second, I felt very much outside of my tax bracket. One evening while wiping down the bar and putting glasses in the dishwasher, I overheard a conversation between three people about sailing. Not just sailing — yacht sailing, which is about one of the most expensive hobbies one could have besides, oh, I don’t know, collecting Persian carpets or playing polo. Everyone else there seemed to have jobs, careers… lives.

Third, no one seemed to like me. Now, of course I know myself well enough to know that this is likely not the case. I have a tendency to project my own insecurities on to strangers and assume the worst. I interpret random glances and remarks as signs of disapproval or dislike.

Who is that guy? What’s he doing here? He doesn’t talk to anybody. Seriously, what’s wrong with him? And he has no clue how to play this game. What a loser…

Add to that the fact that I won hardly any of the games, and what games I did win were by sheer luck or attrition. As Harry protests to Hermione and Ron in Order of the Phoenix, “I didn’t know what I was doing half the time, I didn’t plan any of it, I just did whatever I could think of, and I nearly always had help.”

Admittedly, I hate losing games. Or anything. In college, I failed the black-key minor scale portion of the required piano proficiency exam. I had a piano lesson afterward, and ended up in tears at the beginning. My teacher noted, “You’re not used to failing anything, are you?” I could say a lot about that, about my parents’ exacting standards and the exacting standards I still hold myself to. Another time, perhaps.

But this weekend, every loss seemed to be a reminder of how worthless I usually feel, how unattractive and undesirable. I feel as if I don’t have anything meaningful to contribute, no useful skills to offer. I feel unworthy of most people’s company or goodwill.

It’s suffocating and beyond demoralizing.

I worry that I’ll never do anything significant with my life.

That I’ll never find a man I’m compatible with.

A friend asked me on Sunday: “Why so mean to yourself?”

Probably because it’s one thing I’m proficient at.

192. solstice

sisyphusMy breakfast this morning was two tumblers of whisky (neat), about three fingers each. This after getting up to feed and water the dogs I’m looking after for the month. No sense in them going hungry. I got an email last night from the University of Michigan at 11:10PM, which seems an odd hour to be sending emails. A bit like waiting until you know someone’s gone to leave a voicemail. The email read:

I regret to inform you that your application for admission to the Music Composition MA program at the University of Michigan School of Music, Theatre & Dance has not been approved. We are therefore unable to offer you the opportunity to audition. This decision is based on a careful review by the faculty committee of your pre-screening recording and your application materials. The staff of the Admissions Office and the Composition faculty are not able to provide individual feedback from student auditions because of the volume of candidates to consider. We ask your understanding and thank you in advance. As you continue your college search, I know that you will find another school at which to pursue your studies. We wish you continued success and every good wish for a career that will fully utilize your interests and abilities.

Basically, a “thanks for trying, now fuck off” email. This might not have been such a blow had my temp job not ended yesterday, a week and a half early than what I was planning on. It also might not be such a disappointment were I not single again for the holidays. Last year was the first time in a while that I’ve been employed during the Yule season, and the first time ever that I’ve been dating someone for a major holiday. Now I’m back to where I was in 2011, when I told my parents that I wanted nothing more to do with them for their bigotry, I was still reeling from heartbreak and my loss of faith, and I’d just been laid off from another temp job right after Thanksgiving. Thanksgiving. As in, thanks a lot. There are still two applications out there that might yield something, but I’m terrified now that the results will be the same there—that my work just isn’t good enough on its own to merit a place as a cohort in graduate school. A friend of mine tells me that it may have nothing to do with the quality of my application or compositions; that it’s more about finding a group of students that coalesce together. If that’s the case, I may never get into grad school as I’m really an oddball when it comes to music. And everything else. What I’m terrified over is the prospect of yet another year of living in purgatory. I’m tired of working these temp jobs that pay far below the skill level required for the work the client needs performed. I’m sick of being expendable. I’m sick of working with the 9-to-5ers, the workaday folk who go home after a long day at the office of doing something they ultimately don’t care about and aren’t invested in; who are planning to working long enough to cash in on their 401K pension and retire somewhere comfortable. This is not the world I belong in. Remember this? https://www.youtube.com/watch?v=1ofKJ6UFv60 Instead of a Shakespearean subtext, my inner voices have quite another Jungian game going on:

  • Id: Running back and forth, simultaneously trying to make ends meet and bash my head against a wall to get anything artistic done.
  • Ego: Uncertain about whether I’ve made the right career decision or whether my music is even good enough to pursue a career in, even though it’s pretty much the only thing I’m really good at and give a fuck about.
  • Superego: Those strident subconscious voices that are difficult to shake, like Christianity:
    • Every single rejection letter or person who has rejected my music, told me that it’s too difficult, or that it’s just not very good.
    • My lack of business sense and self-promotion; of knowing how to strategize, network, who to talk to, how to talk to people, etc.
    • Frustration over my dating life and singleness; over how I haven’t found a guy yet who ultimately doesn’t disappoint me (cf, Fiona Apple); how my current scheme is to find a like-minded guy at grad school; feeling anxiety over nearly being 31 and that I’m at the age where younger guys who are into “older guys” are interested in me but not interested in a relationship.

That bloodcurdling scream the girl playing Ophelia lets out at the end of that scene? That’s the sound in my head almost all the time these days. “Get thee to a nunnery” indeed. I’ve also grown weary of the Midwest and its seemingly provincial attitude toward sophisticated art and music. I once shared the recording of my senior composition recital with a supervisor of mine, and he called it “long-haired music,” a reference (I suppose) to graduate students of the 60s and 70s being somewhat shaggy in appearance. I’ve sent pieces of mine to ensembles all over the Twin Cities, hoping to get performances, or the very least readings. No bites. If I get feedback at all, it’s usually something to the effect of: It’s really not what we’re looking for. … thanks, now go fuck yourself. It’s difficult not to think that I’m the common denominator here. What’s more probable? That hundreds of people have had the same independent reaction to my music, or that my work just… sucks? The latter is what I’m afraid of. We’ll see what happens in the coming weeks as I wait to see what happens with the Eastman School of Music and with the University of Southern California. I have a little hope, but not a lot. In the meantime, Christmas is in four days and I feel like drinking myself silly to forget that I’m single and miserable, and that my entire family is fundamentalist Christians.

191. hardihood

neolithic-houseLast night I posted to Facebook about how yesterday evening I was mopping the floor of my apartment to music written about a thousand years ago, and imagining that someday, a guy is going to find this ridiculously nerdy trait (i.e., my interest in early music) incredibly endearing. A friend commented: That isn’t pretentious at all. 😛

My immediate reaction was to apologize all over myself, realizing how snobbish and pretentious such a statement might come across as. Instead, I replied: Perhaps… but it’s unique!

After doing a little more mopping, I came back and added: Actually, no—it isn’t pretentious at all. It would be pretentious if I’d posted this to appear more cultured or sophisticated. But the truth is, I am listening to medieval music at this very moment while mopping my apartment floor.

Merriam-Webster defines pretentious: “Having or showing the unpleasant quality of people who want to be regarded as more impressive, successful, or important than they really are.”

Here I’m reminded of a passage from C. S. Lewis’ Screwtape Proposes a Toast, in which the Senior Tempter and Undersecretary of his department in Hell is remarking on the importance of reframing democracy “as an incantation; if you like, purely for its selling power” in order to produce in people the feeling that “prompts a man to say I’m as good as you.”

Presently he suspects every mere difference of being a claim to superiority. No one must be different from himself in voice, clothes, manners, recreations, choice of food: “Here is someone who speaks English rather more clearly and euphoniously than I — it must be a vile, upstage, la-di-da affectation. Here’s a fellow who says he doesn’t like hot dogs — thinks himself too good for them, no doubt. Here’s a man who hasn’t turned on the jukebox — he’s one of those goddamn highbrows and is doing it to show off. If they were honest-to-God all-right Joes they’d be like me. They’ve no business to be different. It’s undemocratic.”

The fact of the matter is that I’m a nerd—and a very specific type of nerd at that. Shortly after my family moved from Kansas to Minnesota, my father took me to a concert where the first of Bach’s Brandenburg concertos was on the program. By the end of the piece, I was madly in love with early music.

Some of the happiest moments of my teen years were when I was playing or studying Baroque music. I nearly majored in historical performance (which would’ve required going somewhere other than Northwestern).

I’m not even sure I can explain what it is about early music that so captivates me. As I’ve been musing on what it is that I love especially about medieval music, I figure it’s probably the same thing that attracts me to history—that though most of us live in a more sophisticated world than the vast majority of our ancestors; travel about in cars, airplanes, and even into space; and have access to technology and medicine that would have made us gods to earlier generations, we’re not that different from the people who lived ten thousand years ago.

Take the song I posted above. It was written sometime in the late 12th century by a woman known as the Comtessa de Dia (Die, a county in the High Middle Ages located in the southeastern part of France), or as just Beatritz. She was a trobairitz, a female troubadour. If you remember your music history, the troubadours were composers and performers of lyric poetry, usually about chivalry and courtly love. Compare this lyric from Ab joi et ab joven m’apais to any pop song written in the last hundred years:

I feed on joy and youthfulness
and joy and youthfulness content me;
since my friend is the most cheerful
I am cheered and charmed by him,
and because I’m true to him,
it’s well that he be true
to me; I never stray from loving him
nor do I have the heart to stray.

Sure, the sentiment is a little different, just as the clothes were different and people believed that demons were the cause of sickness and disasters, or that women were conceived because of weak male sperm or the direction of the wind at the time of intercourse. (No kidding on the last one. See Thomas Aquinas’ “On how a woman is to be born a woman” from the Summa Theologica. Crazy.) But it’s clear from the lyric that Beatritz is excited about being in love. It’s like a postcard from the 1100s.

In a way, I find in early music a link to humanity by composing my own music, the same as people have been composing music since the first humans joined their voices in song. I find a link to my humanity in housekeeping through images of excavated floors of Neolithic houses that show signs of having been regularly swept, or indentations in floors where someone knelt regularly enough while tending a fire to leave permanent marks.

I’m not interested in any of this because it’s “intellectual.” I’m interested because it fascinates me and captivates my imagination and my thoughts.

So it’s frustrating when I get labeled as “pretentious” for liking these things, for being a Classically trained musician, for not liking most of what’s on television or the radio or in theaters. Because I do have a love for music, for history, for good stories, for science (even though I don’t understand most of it), and for good literature.

And I’m hoping these qualities (e.g., mopping floors to mediaeval music) will be intriguing and endearing someday to the man I marry—whoever he is. That’s one of many reasons for leaving Minnesota for graduate school—wherever that is. Because having interests in obscure subjects is not a Midwestern virtue. It is something, however, encouraged in academia, where it’s becoming clearer that I belong.

As Alanis Morissette sings, “… what I wouldn’t give to meet a soul-mate—someone else to catch this drift.”