271. mythopoeic

babadook

Story time.

Once upon a time in a land not so far away there lived a little boy with his parents and two younger sisters in a house on the edge of a corn field.

Although the parents loved the boy and his sisters very much, and made sure that they had food to eat and clothes to wear, their religion taught them that anyone who did not believe exactly as they did would burn forever in Hell.

This made the boy’s parents very sad, but also very afraid for their children.

From the moment that the boy was born, like Thetis burning away Achilles’ mortality, his parents studied and scrutinized every word and every action for signs of worldly corruption—any signs that Satan and his demons were masters of their child instead of god.

If he dropped food off his high chair as a one-year-old, they would shake their heads and sigh, saying, “There’s his sin nature.” Then they would spank him until he finally stopped dropping food from his high chair, because they read in their holy book: “Whoever spares the rod hates his son, but he who loves him is diligent to discipline him.”

Ditto if he didn’t go to sleep right away at night, or didn’t finish his oatmeal, or once when his father whipped him because he mistakenly thought he’d heard the boy curse god.


Unlike most children, the parents kept their children at home instead of sending them to public school, because public schools belonged to Satan. At home, there was no lesson that did not have a Christian moral—math, history, biology, etc—and the parents read the Bible and prayed with their children each day.

Yet while their intent was to teach them about the unconditional love of their god, the boy and his sisters learned little about it from their parents.

They read in the Bible that “man looks on the outward appearance, but god looks on the heart” while learning through punishment and rewards that conformity and knowing how to play the right part in public was what truly mattered.

Though lessons about sin were intended to teach them about the grace and the love of their god, what they internalized from being told every day that there was nothing good about them, that they couldn’t do anything good (unless imprisoned, enthralled, and ravished by Jesus) was that they were bad, broken, and hateful. No one would ever love or accept them.

For the boy, being the oldest, with the weight of expectation that the parents put on him to be the model sibling for his sisters, all he could do was retreat into his imagination, into books and fantasy, hiding from the weight of the guilt and shame he felt all the time.

By age eight, had stopped smiling.

It was then that the Dark Man first appeared.


Although the boy couldn’t actually see the Man (except in dreams), he could feel him creeping, always, at the edges of his mind.

The Man would whisper that feelings like love or happiness were poor, inferior emotions for the simple or the weak—only the strong could look at life head on and not flinch. Though he could not hear the words, their chill froze his heart.

So the boy locked those feelings in a vault buried deep in his mind. He tried not to listen as they cried out in the dark, and after a time he couldn’t hear them anymore.

When the Dark Man told him it was stupid to be childlike, piece by piece the boy threw his toys and games into the black vault, sneering at innocence and youth. Inside, he began to feel more like the Dark Man every day, cold, lifeless, scowling at the world and everyone in it from behind the mask he learned to wear.

When the boy made a mistake and his parents didn’t show the disappointment he expected, the Dark Man would scream and rail at him instead about how worthless he was, how no one would ever love him, that he would never be good enough for anyone.

And when the boy became aware of the feelings he had for other boys, a thing he had been taught was forbidden, he took those desires and locked them away in the vault too.

There, in the darkness, all the things he shut away from the prying eyes of parents, teachers, pastors, and friends grew twisted and pallid, like tiny homunculi in his mind, primeval gods of the elements of himself he had buried.

The love and happiness he had abandoned became a hurt and angry child–the boy who hadn’t understood why his parents couldn’t just love and accept him.

The desires and ambitions he was supposed to surrender to god curled and twisted into a cruel, cunning schemer that would do anything to get what he wanted.

And when the boy grew older, his buried sexual feelings became a monster of desire, a dragon who, when unleashed, sought to consume and devour all things before it.


With the Dark Man, these four stood behind the mask of self the boy curated to show to the world—a face that others expected to see. With the boy’s assent, they built a wall of suspicion, cool looks, and cynicism around him to keep everyone from getting too close. They stepped forward to take over in moments when he felt uncomfortable, fearful, threatened, or inadequate. The boy thought this part of his protean, kaleidoscopic personality.

When he finally left home, they went with him, silent guardians watching and waiting who cared little for distinctions between friend and foe. The Dark Man whispered that no one was safe, that everyone would hurt and disappoint him.

Yet a piece of the boy still remained, deep within the fortress of his mind who remained redeemable and hopeful, who longed to live free in the sunlight.

Free of his prison.


Please note: though based on real experience, this story is intended only as a metaphor and should not be interpreted as describing dissociative identity (formerly “multiple personality”) disorder.

95. cornucopia

Here’s a little Thanksgiving story I wrote last year and recorded today. It’ll be new to most people, but the first people to hear it were Joe, Jenny and Seth.


The title to this blog is rather ironic since I feel anything but enough right now. Quite the opposite. This time last year, I was spending Thanksgiving with my family, shortly after being outed to them by my ex. Then I joined friends of mine with another family where I wasn’t worrying about feeling judged or rejected by anyone. And Seth was there (which is why I was there). That was probably one of the last happy times I can remember.

I realized today that I’ve been depressed ever since the night of my birthday. There have been happier times and moments when I’ve been able to escape into a happier persona, but every day since then has been tempered by some sort of sadness. And today, when most of America is gathered with their families, making happy memories together, I’m home, by myself, not really wanting to be around anyone. And I’m not anticipating it getting any better for Christmas either.

Happy holidays.

94. hurricane

No walls can keep me protected, no sleep, nothing in between me and the rain. And you can’t save me now: I’m in the grip of a hurricane. I’m gonna blow myself away.

I’m going out, I’m gonna drink myself to death. And in the crowd I see you with someone else. I brace myself ’cause I know it’s going to hurt, but I like to think at least things can’t get any worse.

No hope: don’t want shelter. No calm: nothing to keep me from the storm, and you can’t hold me down ’cause I belong to the hurricane. It’s going to blow this all away.

I hope that you see me ’cause I’m staring at you, but when you look over you look right through; then you lean and kiss him on the head, and I never felt so alive.

And so dead.
– Florence Welch

Just needed to get that out of the way. It’s appropriate for my mental state today since I had some rather unpleasant dreams last night about Seth that have left me kind of depressed and moody today.

This won’t be so much an excerpt as a publishing of my cast list for the novel. It’s always evolving as new characters introduce themselves, but this is the main cast of characters that appear consistently throughout.

Dramatis personæ

The Mortals

Kiera Adler, a shop girl
Russell Jaffree, an eleven-year-old boy
Katherine Jaffree, Russell’s mother
Harry Royston, a taxi cab driver
Maris Jurczyk, proprietor of TheBonum FerculumDiner

Edward Montrachet, President of the United Colonies of America
Charles Berne, chief-of-staff to Edward Montrachet
Calvin Wescott, a male escort attached to the President

The Oracle
The Passenger

The Gods

Apollo, also known as Bragi, also known as Lugh
Athena, also known as Scathach, also known as Minerva, also known as Gefjon, also known as Nissaba
Camalus, also known as Ares, also known as Chernobog
Lir, also known as Poseidon, also known as Neptune, also known as Aegir
Loki, also known as Prometheus, also known as Gwyddion, also known as Enki
Odin, also known as Zeus, also known as Jupiter, also known as Dagna, also known as Marduk

The Dark Ones

Dominique, also known as Hel, also known as Hades, also known as Cernunnos, also known as Mot
Rose, also known as Nemesis, also known as Var, also known as Shiva
Méabh, also known as Nyx, also known as Nótt
Clay Toneco, also known as Tezcatlipoca

The Dreamless Ones

Dana Salo, also known as Aphrodite, also known as Venus, also known as Freya, also known as Ishtar – the president of Joutsen Cosmetics & Spas
Thérèse Konen, also known as Thalia – Dana’s personal assistant and one of the Graces (“Abundance”)
Agatha Belecourt, also known as Aglaïa – the head of Joutsen Cosmetics and one of the Graces (“Splendor”)
Allegra Freudlich, also known as Euphrosyne – the head of Joutsen Spas and one of the Graces (“Joy”)
Chloë, also known as Ceres or Anu – the owner of a flower shop in Manhattan
Pete Cochren, also known as Hermes, also known as Mercury, also known as Ogma, also known as Namtar – a stock trader

Huginn and Muninn, ravens of Odin’s
Sleipnir, a horse and sometimes centaur (when he feels like it)
Ratatöskr, a squirrel

92. pythia

As promised, here’s a little teaser excerpt from the end of Chapter 1 of my NaNoWriMo novel:

SEVERAL MILES away, on the top of a tall hill on Staten Island that overlooked the eastern seaboard of the Atlantic Ocean, the rain continued to fall as more dark clouds continued to roll in.  The water churned and roiled, rocking the tugboats and other vessels that were still out in the harbor.

On top of the hill, the palace of the oracle was silent.

The trickle of visitors had been thin but steady all morning, bringing with them their usual questions about the direction a particular deal might go, or where to lay the foundation for a new building, or even the few questions about when someone might expect a new wife or boyfriend or lover to come along (although questions like that were rare and usually brought by foolish young women who didn’t know better, once and then never again).

But no one had seen the oracle yet.

The priestesses stalked the halls silently, their bare feet making no sound against the cold marble floors of the temple.  They were strange women, living sequestered in the temple at all times of the year, their faces covered by thick veils, long flowing black robes masking their features – in addition to the weapons they were known to carry.  Even the priests of Apollo who worked in the outer courts were not allowed in with them and to even attempt to violate that code was deadly business.

In the dark chambers where the oracle slept, the priestesses had been going about their morning business, speaking in soft whispers in dark corners where the sound would not carry and disturb her sleep.  She usually awakened around 9 A.M. and was immediately seen to by her attendants.  Her attendants were even stranger than the priestesses.  Unlike the other women, they were not veiled, though some wished that they would, with their pale faces and black eyes.  They would bring her to the sacred pool where she would bathe and then dress for the long day ahead.

From there she would be brought to the dining hall where she would eat a brief breakfast, and then be led to the chamber of visitation where she would take her tripod seat before the bowl containing a strange liquid into which she gazed, set between the massive pillars made from the same serpentine rock that the hill itself was made of.  The room was thick with the smell of incense and myrrh.  Then the first visitors would be brought in to see her.  It was only in the chamber of visitation that anyone was allowed to speak, but only in hushed tones.  Outside the temple the priests of Apollo would sort through the cases brought to the oracle by supplicants, and decided which ones would be brought before the oracle to be heard.

Once a visitor had asked their question, the oracle would gaze into the bowl that was set before her, and she would begin to speak.  It was in an odd guttural language that only her attendants understood and they would interpret for her.  Occasionally the oracle would throw stones, which the attendants would then read and interpret for the visitors.  But once the answer to the question had been given, they were to leave at once, with no further questions.

It was serious business going to visit the oracle, and only the most serious and pressing questions were brought to her.  There were plenty of fortune tellers in the city, but you could only be sure of the most accurate answer from the oracle.  Leaders from all over the world came to visit her, and it wasn’t uncommon to see presidents and heads of state coming to the temple.  But once they were in her presence, they were no longer men of great importance.  They were at the mercy of her word, mortal men terrified of the future and what it might bring.  It was in the presence of the oracle that all men (and women) came face to face with the implacableness of fate.

The priestesses moved about restlessly, unsure of what to do.  It was verboten to disturb the oracle for any reason, even by the priestesses or her attendants.

Then, as a loud clap of thunder split the silence, followed at once by a blinding flash of lightning, the attendants jumped as the oracle suddenly sat up in the bed that was surrounded by a thick veil, her eyes wide and staring at something unseen.

“They are coming!” she screamed in a voice screeching and high.  “They are coming!  They are coming!”

© COPYRIGHT 2011, DAVID PHILIP NORRIS

64. b-side

BACHMANN SETS NEW TONE WITH BRAVE NEW ALBUM

July 18, 2011

Congresswoman Michele Bachmann, in an effort to court GLBT voters who, up until recently (and for good reason), had felt justifiably distanced from the GOP presidential hopeful, partly due to her controversial positions on women’s reproductive rights, homosexuality and slavery, today released a brave new album of campaign tunes with covers of Lady Gaga, Queen, Melissa Etheridge, Rufus Wainwright and Cher songs in hopes of winning over skeptical voters. The 52-minute LP includes anthems such as “Don’t Hide Your Love,” “Turn the Beat Around,” “I Will Survive” and “Y.M.C.A.”

The album’s rousing titular track, Ozzy Osbourne’s 1980 classic “Crazy Train,” sets a breakneck pace for this pounding, bluegrass-infused record, which features her husband Marcus on their renditions of Lady Gaga’s “Born This Way” and ABBA’s “Dancing Queen,” with cowbell credits on Diana Ross’ “Ain’t No Mountain High Enough.”

The album rounds off with a moving piano ballad—Dusty Springfield’s “You Don’t Have To Say You Love Me,” with an exposed and vulnerable Michele at the keys, her soulful vocals providing the perfect close at the beginning of what is likely to be an exhilarating campaign, hopefully with her gay, lesbian, bisexual and transgendered supporters at her side.

Because if anything can unite these two sides on common ground, it’s bluegrass and gay anthems.

###


Just to cover my bases, this is not—I repeat NOT—an actual news story (though it would be pretty damned hilarious if it were). It came from the recesses of my imagination, my fear and loathing of Michele Bachmann, and was inspired by this weekend’s episode of NPR’s Wait Wait…Don’t Tell Me!

63. pastiche

This post was inspired by an episode of This American Life where some of their frequent contributors offered their own take on William Carlos Williams’ famous poem, “This Is Just To Say” (in particular, Kenneth Koch’s “Variations on a Theme by William Carlos Williams,” which can be read here). I’m feeling rather down and lonely tonight, and this is the way it came out. These seem like inevitable conversations I will have, if they ever happen at all.

This Is Just To Say…

1.
I ruined your evening by smashing your picture today.
I am sorry but I felt unlikable and it made sense.
One way or another you will leave.

2.
You asked me to drop the gunnysack I drag around.
It is heavy but I am angry at it so I said no.
Your eyes were terribly sad.

3.
I wanted to tell you I loved you in the garden
but the words came out covered in thorns
and they cut you and I ran away

4.
I yelled at you for not calling on the 4th of July
and you said that we met the month after
but by then I was deaf and blind and in the car

017. agh

The biggest conundrum has come up as of about 11:10pm last night. I’ve been invited to a friends’ wedding on July 31st, and I invited my southern boy to go since he’ll be here. He’s game, but says he doesn’t have anything to wear, so I suggested that he wear some of mine. I think we’re about the same size so we could easily trade clothes—a fact which could come in handy later. But that was not the conundrum.

The conundrum comes when I find out from my friends who are getting married that they have invited my parents, who have deemed to be in attendance. So therefore, being at a wedding with my parents and my boyfriend presents the uncomfortable liklihood of the four of us running into each other and my parents asking all sorts of uncomfortable questions like, “So who is this?” and “How do you know each other?” and “Where are you from?” and “So what brings you to Minnesota by way of Mississippi?” and “So when were you going to tell us that not only have you betrayed your family and your faith by choosing to be a homosexual, but you also have a boyfriend?” And so on.

On the one hand, I want them to know. I want everyone to know that I’ve found an amazing guy who wants to be with me despite my insanity; whose weirdness seems to be so compatible with my own. Most of the world seems to not care anymore that I prefer people of my own sex. It’s “my people,” the Christian Right, that come out as an angry mob complete with torches and pitchforks to lynch me. So I’m equally apprehensive about them knowing, and of him going home on August 5th a few days before my sister’s 25th birthday and being alone with all of them, and inevitably facing the onslaught of helpful if not misguided attempts to gently nudge me into going straight via an ex-gay ministry. The usual things: dropping pamphlets, slyly suggesting that I take so-and-so out on a date (“she’s such a nice girl, she’d be perfect for you”), or not-so-subtly hinting how they’d like grandchildren bearing the family surname.

I don’t think they’ll shun me entirely but after I make it clear that I’ve no intention of “going straight” there may be unforeseen consequences, such as being pressured to leave my church or face exposure since the official statement concerning homosexuality is that while they won’t lynch the first guy who traipses through their door, they don’t approve or condone it either. I may also be pressured to leave my job at the conservative Christian music academy where I teach piano. I highly doubt they’ll just let it go or tolerate me, and I’ll invariably become their “project.”

I’m probably blowing this way out of proportion, but I’ve been listening to Douglas Adams this morning so I’m feeling witty and self-deprecating at the same time. It’s a wonderful and rare feeling, not unlike being in love.

005. story part i

The Pillowman
by Martin McDonagh
(adapted from his play of the same title)

Once upon a time there was a man, who did not look like normal men. He was about nine feet tall and he was all made up of these fluffy pink pillows and his body was a pillow; his fingers were tiny little pillows, even his head was a pillow, a big round pillow. And on his head he had two button eyes and a big smiley mouth which was always smiling, so you could always see his teeth, which were also pillows. Little white pillows.

The Pillowman had to look like this, he had to look soft and safe, because of his job, because his job was a very sad and a very difficult one. Whenever a man or a lady was very very sad because they’d had a dreadful and hard life and they just wanted to end it all, they just wanted to take their own lives and take all the pain away, just as they were about to do it, by razor, or by bullet, or by gas, the Pillowman would go to them, and sit with them, and gently hold them, and he’d say, ‘Hold on a minute.’ And time would slow strangely, and as time slowed, the Pillowman would go back in time to when that man or that lady was just a little boy or a little girl, to when the life of horror they were to lead hadn’t quite yet begun. And the Pillowman’s job was very very sad, because the Pillowman’s job was to get that child to kill themselves, and so avoid the years of pain that would just end up in the same place for them anyway: facing an oven, facing a shotgun, facing a lake.

‘But I’ve never heard of a small child killing themselves,’ you might say. Well, the Pillowman would always suggest they to it in a way that would just look like a tragic accident: he’d show them the bottle of pills that looked just like sweeties; he’d show them the place on the river where the ice was too thin; he’d show them the parked cars that it was really dangerous to dart out between; he’d show them the plastic bag with no breathing holes, and exactly how to tighten it. Because mummies and daddies always find it easier to come to terms with a five-year-old lost in a tragic accident then they do with a five-year-old who has seen how shitty life is and taken action to avoid it.

Now, not all the children would go along with the Pillowman. There was one little girl, a happy little thing, who just wouldn’t believe the Pillowman when he told her that life could be awful and her life would be, and she sent him away, and he went away crying, crying big gloopy tears that made puddles this big, and the next night there was another knock on her bedroom door, and she said, ‘Go away, Pillowman. I’ve told you, I’m happy. I’ve always been happy and I’ll always be happy.’

But it wasn’t the Pillowman. It was another man. And her mummy wasn’t home, and this man would visit her every time her mummy wasn’t home, and she soon became very very sad, and as she sat in front of the oven when she was twenty-one she said to the Pillowman, ‘Why didn’t you try to convince me?’ And the Pillowman said, ‘I tried to convince you, but you were just too happy.’ And as she turned on the gas as high as it would go she said, ‘But I’ve never been happy. I’ve never been happy.’

See, when the Pillowman was successful in his work, a little child would die horrifically. And when the Pillowman was unsuccessful, a little child would have a horrific life, grow into an adult who’d also have a horrific life, and then die horrifically. The Pillowman, as big as he was and as fluffy as he was, he’d just go around crying all day long. His house’d be just puddles everywhere, so he decided to do just one final job and that’d be it.  So he went to this place beside this pretty stream that he remembered from a time before. And he brought a little can of petrol with him, and there was this old weeping willow tree there, and he went under it and he sat and he waited there a while, and there were all these little toys under there.

There was a little caravan nearby, and the Pillowman heard the door open and little footsteps come out, and he heard a boy’s voice say, ‘I’m just going out to play, Mum,’ and the Mum said, ‘Well don’t be late for your tea, son.’ ‘I won’t be, Mum.’ A the Pillowman heard the little footsteps get closer and the branches of the willow tree parted and it wasn’t a little boy at all. It was a little Pillowboy. And the Pillowboy said, “Hello,’ to the Pillowman, and the Pillowman said, ‘Hello,’ to the Pillowboy, and they both played with the toys for a while. And the Pillowman told him all about his sad job and the dead kids and all of that type of stuff, and the little Pillowboy understood instantly ‘cos he was such a happy little fella and all he ever wanted to do was to be able to help people, and he poured the can of petrol all over himself and his smiley mouth was still smiling. And the Pillowman, through his gloopy tears, said, ‘Thank you,’ to the Pillowboy, And the Pillowboy said, ‘That’s alright. Will you tell my mummy I won’t be having my tea tonight,’ and the Pillowman said, ‘Yes, I will,’ lying. And the Pillowboy struck a match, and the Pillowman sat there watching him burn, and as the Pillowman started to fade away, the last thing he was was the Pillowboy’s happy smiley mouth as it slowly melted away, sinking into nothingness. That was the last thing he saw.

The last thing he heard was something he hadn’t even contemplated. The last thing he heard was the screams of the hundred thousand children he’d helped to commit suicide coming back to life and going on to lead the cold, wretched lives that were destined to them because he hadn’t been around to prevent them, right on up to the screams of their sad self-inflicted deaths, which this time, of course, would be conducted entirely alone.

McDonagh, Martin. The Pillowman. London: Faber and Faber Limited, 2003.